wischtag:typepad.com,2003:weblog-169762005-12-19T10:33:38+01:00on visual artsTypePadMarcel Duchamptag:typepad.com,2003:post-79901192005-12-19T10:33:38+01:002005-12-19T10:33:38+01:00Aktie fuer Roulette de Mone-Carlo, 1924 Die Anleihe zeigt - nach einem Foto von Man Ray - das Gesicht des französischen DaDaisten Marcel Duchamp mit Seifenschaum bedeckt und mit Faunshörner gekrönt. Das Gesicht ist umrahmt von den Fächern eines Roulettespiels....wilhelm dolleschall
<div xmlns="http://www.w3.org/1999/xhtml"><p><a href="http://wd.blogs.com/.shared/image.html?/photos/uncategorized/bondroulettedemontecarlo.jpg" onclick="window.open(this.href, '_blank', 'width=640,height=895,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img alt="Bondroulettedemontecarlo" title="Bondroulettedemontecarlo" src="https://wd.blogs.com/wisch/images/bondroulettedemontecarlo.jpg" width="300" height="420" border="0" /></a>
<br><br>Aktie fuer Roulette de Mone-Carlo, 1924
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Die Anleihe zeigt - nach einem Foto von Man Ray - das Gesicht des französischen DaDaisten Marcel Duchamp mit Seifenschaum bedeckt und mit Faunshörner gekrönt. Das Gesicht ist umrahmt von den Fächern eines Roulettespiels. Gezeichnet ist die Anleihe von Rrose Selavy, einem Synonym Duchamps als Präsident der Gesellschaft und von dem Verwaltungsbeamten Marcel Duchamp. Zweck der Gesellschaft war die Ausbeutung des Roulette de Monte Carlo. Duchamp fuhr mit Geldern, die er sich von engsten Freunden geliehen hatte, nach Monte Carlo, um dort die Bank zu sprengen. Das Glück war ihm allerdings nicht hold, allerdings verlor er auch nichts. Er zahlte im Dezember 1925 eine Dividende von Frcs. 50 auf die seinerzeit 30 ausgegebenen Obligationen. Die meisten dieser Originale sind verloren gegangen.
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<a href="http://wd.blogs.com/wisch/2005/12/man_ray.html">mehr</a>
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MAN RAYtag:typepad.com,2003:post-79900542005-12-19T10:26:01+01:002005-12-19T10:26:01+01:00Marcel Duchamp photographie pour Obligation pour la roulette de Monte-Carlo, 1924 mehr Marquise Casati, 1922wilhelm dolleschall
<div xmlns="http://www.w3.org/1999/xhtml"><p><br><a href="http://wd.blogs.com/.shared/image.html?/photos/uncategorized/duchamp350.jpg" onclick="window.open(this.href, '_blank', 'width=350,height=499,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img alt="Duchamp350" title="Duchamp350" src="https://wd.blogs.com/wisch/images/duchamp350.jpg" width="280" height="399" border="0" /></a>
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Marcel Duchamp photographie pour Obligation pour la roulette de Monte-Carlo, 1924
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<a href="http://wd.blogs.com/wisch/2005/12/marcel_duchamp.html">mehr</a>
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<a href="http://wd.blogs.com/.shared/image.html?/photos/uncategorized/mr_casati.jpg" onclick="window.open(this.href, '_blank', 'width=374,height=506,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img alt="Mr_casati" title="Mr_casati" src="https://wd.blogs.com/wisch/images/mr_casati.jpg" width="224" height="303" border="0" /></a>
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Marquise Casati, 1922
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GEERT GOIRIStag:typepad.com,2003:post-79426562005-12-15T08:45:17+01:002005-12-15T08:45:17+01:00Albino Rhino in Fog, 2003wilhelm dolleschall
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<a href="http://wd.blogs.com/.shared/image.html?/photos/uncategorized/ex484_ggalbino03_m2.jpg" onclick="window.open(this.href, '_blank', 'width=371,height=330,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img alt="Ex484_ggalbino03_m2" title="Ex484_ggalbino03_m2" src="https://wd.blogs.com/wisch/images/ex484_ggalbino03_m2.jpg" width="296" height="264" border="0" /></a><br><br>
Albino</p>
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<a href="http://wd.blogs.com/.shared/image.html?/photos/uncategorized/manifestageerrt_goirisrhino_in_foggr.jpg" onclick="window.open(this.href, '_blank', 'width=500,height=397,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img alt="Manifestageerrt_goirisrhino_in_foggr" title="Manifestageerrt_goirisrhino_in_foggr" src="https://wd.blogs.com/wisch/images/manifestageerrt_goirisrhino_in_foggr.jpg" width="400" height="317" border="0" /></a><br><br>
Rhino in Fog, 2003
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RON MUECKtag:typepad.com,2003:post-79425402005-12-15T08:36:30+01:002005-12-15T08:36:30+01:00Big Man, 2000 Big Man, 2000wilhelm dolleschall
Big Man, 2000
Big Man, 2000
PATRICK TOSANItag:typepad.com,2003:post-48935172005-05-27T13:46:52+02:002005-05-27T13:46:52+02:00wilhelm dolleschall
FISCHLI & WEISStag:typepad.com,2003:post-44420882005-04-23T12:28:30+02:002005-04-23T12:28:30+02:00Stiller Nachmittag (Quiet Afternon) (Details) 1984-1985 Clolour and black and white photographs 40.5 x 30.5 cm eachwilhelm dolleschall
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<a href="http://wd.blogs.com/.shared/image.html?/photos/uncategorized/fundw1.jpg" onclick="window.open(this.href, '_blank', 'width=600,height=421,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img alt="Fundw1" title="Fundw1" src="https://wd.blogs.com/wisch/images/fundw1.jpg" width="360" height="252" border="0" /></a>
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Stiller Nachmittag (Quiet Afternon) (Details)<br>
1984-1985<br>
Clolour and black and white photographs<br>
40.5 x 30.5 cm each
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VALIE EXPORTtag:typepad.com,2003:post-44420482005-04-23T12:15:55+02:002005-04-23T12:15:55+02:00Erwartung (Expectation) 1976 Wall-mounted photomontage 60 x 50 cmwilhelm dolleschall
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<a href="http://wd.blogs.com/.shared/image.html?/photos/uncategorized/valiee1kl.jpg" onclick="window.open(this.href, '_blank', 'width=600,height=621,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img alt="Valiee1kl" title="Valiee1kl" src="https://wd.blogs.com/wisch/images/valiee1kl.jpg" width="330" height="341" border="0" /></a>
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<p>Erwartung (Expectation)<br><br />
1976<br><br />
Wall-mounted photomontage<br><br />
60 x 50 cm</p>
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SUSAN HALLERtag:typepad.com,2003:post-44419662005-04-23T11:54:35+02:002005-04-23T11:54:35+02:00Untitled 1972 Silkscreen print, dye and iron burns on fabric 109 x 76 cmwilhelm dolleschall
<div xmlns="http://www.w3.org/1999/xhtml"><p><a href="http://wd.blogs.com/.shared/image.html?/photos/uncategorized/shaller1re.jpg" onclick="window.open(this.href, '_blank', 'width=450,height=633,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img alt="Shaller1re" title="Shaller1re" src="https://wd.blogs.com/wisch/images/shaller1re.jpg" width="315" height="443" border="0" /></a>
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Untitled<br>
1972<br>
Silkscreen print, dye and iron burns on fabric<br>
109 x 76 cm
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JAN DIBBETStag:typepad.com,2003:post-43730142005-04-20T15:42:24+02:002005-04-20T15:42:24+02:00Jan Dibbets The Shortest Day at the Van Abbemuseum, Eindhoven 1970 Color photographs mounted on aluminum, 69 3/4 x 67 3/8" (177 x 171 cm) Stedelijk Van Abbemuseum, Eindhoven Jan Dibbets, Perspective correction - my studio II, 3 - square...wilhelm dolleschall
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<p><img border="0" src="https://wd.blogs.com/photos/uncategorized/dibbets_shortestday.jpg" title="Dibbets_shortestday" alt="Dibbets_shortestday" /></p>
<p>Jan Dibbets<br />The Shortest Day at the Van Abbemuseum, Eindhoven 1970</p>
<p>Color photographs mounted on aluminum, <br />69 3/4 x 67 3/8" (177 x 171 cm)<br /><a href="http://www.vanabbemuseum.nl/">Stedelijk Van Abbemuseum, Eindhoven</a></p><br><br>
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<p><a onclick="window.open(this.href, '_blank', 'width=323,height=321,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false" href="http://wd.blogs.com/.shared/image.html?/photos/uncategorized/dib1.gif"><img width="258" height="256" border="0" src="https://wd.blogs.com/wisch/images/dib1.gif" title="Dib1" alt="Dib1" /></a></p>
<p>Jan Dibbets, Perspective correction - my studio II, 3 - square with cross on
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The camera records something quite different from what we see. There are no rectangular formats in nature, only in art (paintings, sheets of music or poems, windows, ravioli), and only if we choose to look at it that way. For Perspective Correction, My Studio I, 1: Square on Floor, 1969, the earliest work in the show, Jan Dibbets drew an upside-down trapezoid (in relation to the camera) on his studio floor and took a photograph (the work) so that the trapezoid, distorted by perspective, appears to be a square. It's difficult not to think of it as a square, and no reason not to, despite the inward-slanting walls. In a way it is a joke about the preeminence of the picture plane in contemporary art, whereas, of course, the perception of Renaissance perspective still prevails, or at least still resides, or better yet is still the place where we and the artist reside. Despite the square, our eyes take us into depth to the windows and their light. There are windows within a window presaged by another window. Without really destroying our illusions, the artist has interrupted reality, or intervened to almost imperceptibly create another reality, something in the back of the mind that forces us to accept both realities. The artist introduces himself (takes control?) by making a square out of a trapezoid in his own studio. The trick is an elementary one, a wan display of the human imagination. But it suggests something more elemental, in itself and in works to come.
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<p><a href="http://www.newyorkartworld.com/reviews/dibbets.html">http://www.newyorkartworld.com/reviews/dibbets.html</a></p></div>
CHUCK CLOSEtag:typepad.com,2003:post-43714272005-04-20T12:14:09+02:002005-04-20T12:14:09+02:00Robert I, 1982 colored, pressed, handmade paper pulp Image size: 16 1/2 x 13 inches Paper size: 25 x 19 inches Ed: 20wilhelm dolleschall
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<p><a href="http://wd.blogs.com/.shared/image.html?/photos/uncategorized/close_robert1.jpg" onclick="window.open(this.href, '_blank', 'width=400,height=512,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img alt="Close_robert1" title="Close_robert1" src="https://wd.blogs.com/wisch/images/close_robert1.jpg" width="240" height="307" border="0" /></a><br><br></p>
<p>Robert I, 1982<br />
colored, pressed, handmade<br />
paper pulp<br />
Image size: 16 1/2 x 13 inches<br />
Paper size: 25 x 19 inches<br />
Ed: 20 </p>
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